Answer the questions to ALL three specimens.  100 language TOTAL . 1. “Thank You (Falettinme Be Mice Elf Agin)” by Sly and the Family Stone represents the affect to a new mode, incorporating R & B and roll elements. Give specimens of twain and concoct on their meaning in this lyric. 2. “Living for the City” by Stevie Wonder is a serene specimen of his crop and ripeness as an master. How does his vocal bestowal unceasingly re-engage the listener throughout the lyric? Discuss the consequence of the audio story told as the bridge, or “B” exception? What other mode of roll is incorporating this technique? 3. “Tear the Roof Off the Sucker (Give Up the Funk) by George Clinton and Parliament is an praiseworthy specimen of a new mode of funk, denominated “on the 1”. Unlike most R & B music where the rhythmic seriousness is on whacks 2 and 4 (backbeats), the seriousness is now on whack 1. What melodious elements are give in this lyric? How do they achievement simultaneously to produce such an communicated groove?